Details
| Artist | Lorenzo Monaco , and workshop, Italian, 1370-1427 |
|---|---|
| Artist | Matteo di Filippo Torelli, Italian, 1365 - 1442 |
| Title |
|
| Date | early 15th century |
| Medium | ink, tempera and gold leaf on parchment |
| Dimensions | Sheet: 9 1/2 × 9 1/2 inches (24.1 × 24.1 cm) |
| Credit Line | Gift of Dr. William R. Valentiner |
| Accession Number | 37.133.A |
| Department | Prints, Drawings & Photographs |
| Not On View |
Provenance
before 1405, Santa Maria Nuova (Florence, Italy).
Dr. William R. Valentiner (Detroit, Michigan, USA);
1937-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
Dr. William R. Valentiner (Detroit, Michigan, USA);
1937-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
Published References
Ciaranfi, A.M. "Lorenzo Monaco Miniatore." L'Arte: Rivista Bimestrale di Storia dell'Arte Medievale e Moderna 35, 4 (July 1932): pp. 285-317, esp. pp. 315-16 (fig. 13) (attributed to Tendenza dell'Angelico, 1409).
D'Ancona, M. Levi.The Illuminators and Illuminations of the Choir Books from Santa Maria degli Angeli and Santa Maria Nova and Their Documents. Florence, 1994, pp. 110, 142.
D'Ancona, M. Levi. "Matteo Torelli." Commentari: Rivista di Critica e Storia dell'Arte, vol. 9. (October-December 1958): pp. 244-258, esp. p. 252, note 19, 254; pl. LXXXV, fig. 9 (attributed to Matteo Torelli).
Degenhart, B. and Schmitt, A. Corpus der Italienischen Zeichnungen 1300-1450. Berlin, 1968, vol. 2 (süd und mittelitalienischen), p. 281, fig. 387 (cited).
Kanter, L., et al. Painting and Illumination in Early Renaissance Florence 1300-1450. Exh. cat., Metropolitan Museum of Art. New York, 1994, pp. 288, 291-292 (fig. 114) (entry by L. Kanter, who supports Matteo Torelli attribution).
Richardson, E.P., ed. Catalogue of Paintings, 2nd ed. Detroit Institute of Arts. Detroit, 1944, p. 80, no. 621 (ill.). (as Lorenzo Monaco).
Valentiner, W. R. Italian Gothic Painting. Detroit, 1944, pp. 32-34 (fig. 13).
The Waning of the Middle Ages. Exh. cat., Montgomery Art Center. Claremont, CA, 1965, p. 14, no.18 (ill.).
D'Ancona, M. Levi.The Illuminators and Illuminations of the Choir Books from Santa Maria degli Angeli and Santa Maria Nova and Their Documents. Florence, 1994, pp. 110, 142.
D'Ancona, M. Levi. "Matteo Torelli." Commentari: Rivista di Critica e Storia dell'Arte, vol. 9. (October-December 1958): pp. 244-258, esp. p. 252, note 19, 254; pl. LXXXV, fig. 9 (attributed to Matteo Torelli).
Degenhart, B. and Schmitt, A. Corpus der Italienischen Zeichnungen 1300-1450. Berlin, 1968, vol. 2 (süd und mittelitalienischen), p. 281, fig. 387 (cited).
Kanter, L., et al. Painting and Illumination in Early Renaissance Florence 1300-1450. Exh. cat., Metropolitan Museum of Art. New York, 1994, pp. 288, 291-292 (fig. 114) (entry by L. Kanter, who supports Matteo Torelli attribution).
Richardson, E.P., ed. Catalogue of Paintings, 2nd ed. Detroit Institute of Arts. Detroit, 1944, p. 80, no. 621 (ill.). (as Lorenzo Monaco).
Valentiner, W. R. Italian Gothic Painting. Detroit, 1944, pp. 32-34 (fig. 13).
The Waning of the Middle Ages. Exh. cat., Montgomery Art Center. Claremont, CA, 1965, p. 14, no.18 (ill.).
