Pollaiuolo created in this figure an expressive Image of the beautiful biblical heroine and symbol of the Florentine republic. Working in both Florence and Rome, Pollaiuolo produced paintings, engravings, drawings, embroidery designs, and works in silver and is known especially for his development of the bronze statuette.
Artist Pollaiuolo, Italian, 1429-1498
  • Judith
Date ca. 1470
Medium Bronze with traces of gilding
Dimensions Sculpture with out base 17 "H" X 7 3/4 "W" X 3 1/2 "D"
Including base: 21 × 4 × 4 inches
Credit Line Gift of Eleanor Clay Ford
Accession Number 37.147
Department European Sculpture and Dec Arts
On View European: Medieval and Renaissance W241, Level 2 (see map)
Sir William Drake (Weybridge Surrey, England);
Mrs. Hornsby Drake (London, England);
private collection (Paris, France);
Dr. Frey von Stamore;
(Arnold Seligmann, Rey and Co., New York, New York, USA);
Eleanor Clay Ford;
1937-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
Exh. cat., Burlington Fine Arts Club. London, 1879, no. 415. [as Pollaiuolo]

Valentiner, W.R. Italian Gothic and Early Renaissance Sculptures. Exh. cat., Detroit Institute of Arts, 1938, no. 52 (ill.).

Middledorf, U. "Die Ausstellung italienischer Renaissanceskulptur in Detroit." Pantheon 22, p. 336.

Ragghianti, C. "La Mostra di scultura italianna antica a Detroit." Critica d'Arte 3 (August-December 1938): p. 180.

Valentiner, W.R. "Late Gothic Sculpture in Detroit." Art Quarterly 6, no. 4 (Autumn 1943): pp. 276-305.

Valentiner, W.R. "A Pollaiuolo for Detroit." The Art News, Nov. 6, 1937, p. 9.

Sabatini, A. Antonio e Piero Pollaiuolo. Florence, 1944, p. 99.

Ortolani, S. Il Pollaiulol. Milan, 1948, pp. 165, 225.

Steingraber, E. "Studien zur florentiner Goldschmiedekunst I'." Mitteilungen des Kunsthistorishen Institutes in Florenz 7 (August 1955): p. 97, no. 17.

Richardson, W.P. "Bertoldo and Verrocchio: Two Fifteenth Century Florentine Bronzes." Art Quarterly 22, no. 3 (Autumn 1959): pp. 205-215.

Greenleaf, William. From These Beginnings: The Early Philanthropies of Henry and Edsel Ford, 1911–1936. Detroit, 1964, p. 163.

The Italian Heritage. Sales cat., Wildenstein & Co, Inc. New York,1967, no. 18 (ill.).

Busignani, A. Pollaiuolo. Florence, 1969, p. 108.

Seymour, C. Jr. The Sculpture of Verrocchio. London, 1971, p. 126.

Ettlinger, L.D. Antonio and Piero Pollaiuolo. 1978, no. 65. [as 19th century replica]

"Family Art Game," DIA Advertising Supplement, Detroit Free Press, May 20, 1979, p. 25 (ill.).

"Family Art Game," DIA Advertising Supplement, Detroit News/Detroit Free Press, April 18, 1982, p. 11 (ill.).

Italian Renaissance Sculpture in the Time of Donatello. Exh. cat., Detroit Institute of Arts and Kimbell Art Museum. Detroit and Fort Worth, 1985, pp. 199-201, p. 70 (pl. 23).

Avery, C. "Donatello Celebrations: A major exhibition at Detroit, Fort Worth and Florence." Apollo 123, no. 287 (January 1986): p. 18 (fig. 4).

Butterfield, A. and D. Franklin. "A Documented episode in the history of Renaissance 'terracruda' sclpture." The Burlington Magazine CXL (December 1998): p. 820 (fig. 47).

Darr, A.P., P. Barnet, A. Bostrom, C. Avery, et al. Catalogue of Italian Sculpture in the Detroit Institute of Arts, 2 vols. London, 2002, I, cat. 57.

Principi, Lorenzo. The Master of the Unruly Children: River God and Bacchus. London, 2016, p. 16.