Details
| Artist | Antonio Rimpatta, Italian, active 1509 - died 1531 or 1532 |
|---|---|
| Title |
|
| Date | early 16th century |
| Medium | Paint on wood panel |
| Dimensions | Unframed: 30 1/4 × 22 1/2 inches (76.8 × 57.2 cm) |
| Credit Line | City of Detroit Purchase |
| Accession Number | 22.9 |
| Department | European Painting |
| Not On View |
Provenance
(Böhler, Munich, Germany);
(Lucerne Fine Arts, Ltd., Lucerne, Switzerland);
1922-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
(Lucerne Fine Arts, Ltd., Lucerne, Switzerland);
1922-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
Published References
Walther, J. "Recent Accessions on View in Gallery V." Bulletin of the DIA 3 (February 1922): pp. 56-57 (ill.). [as by Andrea Solario]
Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, no. 25 (ill.). [as Giovanni Francesco Caroto]
Berenson, B. Italian Pictures of the Renaissance, a list of the principal artists and their works, with an index of places. Oxford, 1932, p. 130. [as Giovanni Francesco Caroto]
Berenson, B. Pitture italiane del Rinascimento. Milan, 1936, p. 112. [as an early work by Giovanni Francesco Caroto]
Richardson, E.P., ed. Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, p. 124, no. 25.
Ragghianti, C.L. "I falsi artidtici." Critica d'arte 8 (January-February 1961): pp. 1-27 (fig. 17). [attributed to Antonio Solario]
Kurz, O. Falsi e falsari. Venice, 1961, pp. xxviii.
Heinemann, F.D. Giovanni Bellini e i Belliniana. Venice, 1962, Vol. 1, p. 33, no. 123(r) and Vol. 2, p. 723 (pl. 836).
Paintings in the DIA: A checklist of the paintings acquired before June 1965. Detroit, 1965, p. 102.
Franco Fiorio, M.T. Giovanni Francesco Caroto. Verona, 1971, p. 117.
Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Massachusetts, 1972, p. 136. [as Master of the Setmani Sacra Conversazione, active early 16th century]
Tempestini, A. "Antonio da Bologna: Uno o Due?" Mitteilungen des Kunsthistorischen Institutes in Florenz 25, 3 (1981): pp. 341-354 (fig. 2). [as by Antonio Rimpatta]
Lloyd, C. Italian Paintings before 1600 in The Art Institute of Chicago: a catalogue of the collection. Chicago, 1993, p. 208.
Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, no. 25 (ill.). [as Giovanni Francesco Caroto]
Berenson, B. Italian Pictures of the Renaissance, a list of the principal artists and their works, with an index of places. Oxford, 1932, p. 130. [as Giovanni Francesco Caroto]
Berenson, B. Pitture italiane del Rinascimento. Milan, 1936, p. 112. [as an early work by Giovanni Francesco Caroto]
Richardson, E.P., ed. Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, p. 124, no. 25.
Ragghianti, C.L. "I falsi artidtici." Critica d'arte 8 (January-February 1961): pp. 1-27 (fig. 17). [attributed to Antonio Solario]
Kurz, O. Falsi e falsari. Venice, 1961, pp. xxviii.
Heinemann, F.D. Giovanni Bellini e i Belliniana. Venice, 1962, Vol. 1, p. 33, no. 123(r) and Vol. 2, p. 723 (pl. 836).
Paintings in the DIA: A checklist of the paintings acquired before June 1965. Detroit, 1965, p. 102.
Franco Fiorio, M.T. Giovanni Francesco Caroto. Verona, 1971, p. 117.
Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Massachusetts, 1972, p. 136. [as Master of the Setmani Sacra Conversazione, active early 16th century]
Tempestini, A. "Antonio da Bologna: Uno o Due?" Mitteilungen des Kunsthistorischen Institutes in Florenz 25, 3 (1981): pp. 341-354 (fig. 2). [as by Antonio Rimpatta]
Lloyd, C. Italian Paintings before 1600 in The Art Institute of Chicago: a catalogue of the collection. Chicago, 1993, p. 208.