The close-up view of his own face in this pair of self-portraits is a dead giveaway of a cheap photo booth. The rapt attention and the fingers touching his mouth are a mannerism borrowed from the poses matinee idols struck in the 1940s. The colors are chosen with pure indulgence. Despite those affectations, the artist allows us a glimpse of himself as an intensely private individual who hides behind his public persona.
Artist Andy Warhol, American, 1928-1987
  • Self Portrait
  • Double Self Portrait (former title)
Date 1967
Medium screenprint in paint on canvas
Dimensions Unframed: 72 × 72 in. (182.9 × 182.9 cm)
Framed: 72 1/4 × 72 1/4 × 1 3/8 inches (183.5 × 183.5 × 3.5 cm)
Credit Line Founders Society Purchase, Friends of Modern Art Fund
Accession Number 68.292.1
Department Contemporary Art after 1950
Not On View
1967, the artist (New York, New York, USA);
(Leo Castelli Gallery, New York, New York, USA);
1968-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
Cummings, F.J., and Elam, C.H., eds. The Detroit Institute of Arts Illustrated Handbook. Detroit, 1971, p. 187.

Bulletin of the DIA 50, no. 4 (1971): 61, 63–69 (ill.).

Billeter, Erika and David Bourden. "Andy Warhol: ein Buch zur Ausstellung im Kunsthaus Zurich.” Bern, 1978, cat. no. 69.

Ratcliff, Carter. Andy Warhol. Vol. 4, New York, 1983, p. 94, no. 93.

Christie, Manson, and Woods. "Andy Warhol: The Series of 72-Inch Self-Portraits." In Post-War and Contemporary Art: Evening Auction. London, 2011, pp. 58–65.