Details
Artist | Max Kalish, American, 1891 - 1945 |
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Title |
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Date | 1932 |
Medium | bronze |
Dimensions | Overall: 20 × 5 × 11 inches (50.8 × 12.7 × 27.9 cm) |
Credit Line | Museum Purchase, Beatrice W. Rogers Fund and Edward E. Rothman Fund |
Accession Number | 2004.15 |
Department | American Art before 1950 |
Not On View |
Signed, Marks, Inscriptions
Signed | Signed and dated, along the base: M KALISH | 32 |
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Marks | Stamped along edge of base: Meroni Radice Paris | cire perdue |
Provenance
James Graham and Sons Gallery, (New York, New York, USA);
John Axelrod, (Boston, Massachusetts, USA);
Gerald Peters Gallery, (New York, New York, USA);
2004-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
John Axelrod, (Boston, Massachusetts, USA);
Gerald Peters Gallery, (New York, New York, USA);
2004-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
Published References
Lewis, N. Lawson. The Sculpture of Max Kalish. Cleveland, 1933, no. 20 (ill. of an unidentified example).
Labor Sculpture by Max Kalish. New York, 1938 (ill. of an unidentified example).
Rediscoveries in American Sculpture: Studio Works, 1893-1939. Austin, 1989, pp. 91-92 (ill. of another example in a private collection).
Fort, Ilene Susan et al. The Figure in American Sculpture: A Question of Modernity. Los Angeles, 1995, p. 206 (pl. 59, ill. of another example in the Cleveland Museum of Art).
Labor Sculpture by Max Kalish. New York, 1938 (ill. of an unidentified example).
Rediscoveries in American Sculpture: Studio Works, 1893-1939. Austin, 1989, pp. 91-92 (ill. of another example in a private collection).
Fort, Ilene Susan et al. The Figure in American Sculpture: A Question of Modernity. Los Angeles, 1995, p. 206 (pl. 59, ill. of another example in the Cleveland Museum of Art).